Hot Brown Honey

Briefs Factory, The York Theatre, Until March 30th

My Two Pence

**This was the review for the original production of Hot Brown Honey**

By Penny Warwick

 

Hot Brown Honey is more than a show, it is an embodiment of sexual liberation, a celebration of matriarchal ideas and a call to action for a better tomorrow through education and awareness of inherent societal privilege and racial divides.

 

It’s not like anything you have ever seen. Certainly not in Vancouver.

 

Described as more of a rock show than a theatre piece (accurate - partially) the audience is provided with earplugs to help prepare them for the onslaught of these fierce females and the substance supports the spectacle. The tech in the show is clean and tight. The costuming is perfect. The staging is simple and effective. I want to jump into talking about the performance itself because there is so much to say, but know that these elements are spot on. To avoid spoilers, ignore the following paragraph, and just know – I’m saying that it’s bloody excellent.

 

The performers were electrifying on opening night, each taking part in group scenes/skits as well as having their own solo numbers. In this way the shows burlesque roots are shown and the format worked very well. Of the solos, I particularly enjoyed the reverse-burlesque-strip of the ‘mythical soft polynesian maiden’ proudly displaying her two nipples (no pasties? Shocking! Controversial! Real!) complimented with two middle fingers; the most epic beatbox performance I have ever witnessed; the poinient reversal of a lady dressed in a ballgown manufactured from the Australian flag returning to her freedom in aboriginal print through dance; the quintessential bad-white-person on vacation told hilariously and so-close-to-truth-cringily with an incredible hoop number; however, the showstopper undoubtibly was the aerial number towards the end of the show which had me in tears with its perfectly imperfect actualization and gut-wrenching raw emotion.

 

There were a few audience interactions, the first working incredibly well, but the second which involved a ‘coconut woman’ being undressed as part of a raffle prize fell on the wrong side of the message due to the unfortunate winner, a man who was uncomfortably into what I think was supposed to be a slap-in-the-face to sleazy men. It was unfortunate that in this all-female display of feminist wonder, all of the people who were invited to stage were men.

 

There is so much to unpack in this production. Prepare for a feeling of uncomfortableness as you are confronted with Vancouver’s own crimes (‘Our home ON Native Land’, anyone?) and on multiple occasions instructed to check your privilege. This is something which has become more of a discussion point in mainstream media in the last few years, and as I even write that sentence I, myself, am confronted shamefully with my privilege as a white person that ‘this is something which has become more of a discussion point in mainstream media in the last few years’. Wake Up, Rise Up, Stand Up! Is one of many notable mantras from the group. And I certainly left the show with a renewed sense of wanting to be more educated, more vocal and, importantly, more respectful as an ally. I know there are times where an ally can actually do more harm than good through ignorance. However, we are without excuse. These incredible, inspirational women make it very clear indeed that ambivalence and avoidance are no longer acceptable. We are all responsible for changing the world by fighting alongside our fellow human beings against injustices, past and present, so that they do not become our future.

 

“You have to act as if it were possible to radically transform the world. And you have to do it all the time” Dr Angela Davis (quoted in the program notes)

 

So, Vancouver, it’s time to MAKE NOISE. Fight the power. Lift the matriarchy. Decolonize and moisturise. Go and see Hot Brown Honey.

My Two Cents

**This is an update that Hot Brown Honey is still as incredible as last year**

 

By Emma Rossland

 

The Honeys are back and they’re hotter than ever! After having seen Briefs Factory’s Hot Brown Honey last year, I wondered if I would enjoy it as much the second time. I may have even enjoyed it more. Last year, it set the bar high for every show following it. It was one of my choices for Best of 2018, and I have a feeling it will be on my list again this year.

 

With some additions to the already strong performances, this is a showcase of incredible women with superb talents, ranging from singing and acrobatics to ass kicking and privilege smashing. There is not a weak moment in this show and you’ll be inspired to shout out as you stamp your feet and dance with the performers in a rebellion against injustice. The show inspires feminism as it smashes the patriarchy; it venerates minorities while it shoots down privilege.

 

Uplifting and inspiring at the same time as political and poignant, HBH will have you screaming in dissension one moment and hanging on with bated breath the next. So whether you loved the show last year, couldn’t see it for whatever reason, or had no idea it was happening, do not miss your chance this year. 

 

It is difficult to describe just how absolutely amazing Hot Brown Honey is. If you let it, you will leave the theatre a changed person. This show is inspiration. Too long have we sat passively, and watched, as event after event brings division and discord. It’s time to “make some noooiiiiise.”